Sometimes I’ll be reading a book, and it occurs to me that someone wrote those words one day, before they were printed and bound. Perhaps it’s a writer who still types new projects now, or maybe it’s one who has been buried for centuries. Either way, those words are like a suspended moment held within the paper, and it exists at all the points in time it is read.
When I pick up Frankenstein, I’m reading the very same words that Mary Shelley wrote after that stormy night at Villa Diodati, when a ghost-story writing competition proposed by Lord Byron led her to dream up one of the most influential novels of all time. They’re the same words I first read in my Year 9 English class when our brilliant teacher introduced us to gothic literature, and I ran headlong into the genre’s twisted branches without planning to return. Spoiler: I didn’t return. I reread it last Spring, seven years on, for university. Those different instances are connected; the same narrative event occurs at each of those points in time - just as my reading it somehow connects me to the millions of others who have experienced the story too.
I remember hearing this Alan Bennett quote while watching a college production of The History Boys:
“The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you. Now here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out and taken yours.”
- Alan Bennett, The History Boys
The moment I heard it, I felt seen. ‘Yes! I know that feeling! I didn’t know others felt it too!’ And of course, the quote itself was doing exactly what it’s talking about: Bennett’s hand reaching out to me from the play. It’s doing the same to you right now.
Perhaps you’ve experienced this too, and it might feel as though my hand is reaching out of this page to take yours at this moment. It is. I think that’s one of the main reasons we humans create; it’s to form the portals for a million, billion connections to be made, so that there is always a hand waiting for someone who might need it.
Isn't it fun to learn new things; to expand the roots of common knowledge, knowing that it connects you to someone else, alive or dead, who has learned the same? It could be memorising the constellations, identifying a species of butterfly, or practising how to sketch a face. Countless others - with hearts beating in their chests, paper-skin, locks of hair - have read the same words, experienced the same realisations, and carried out the same actions. Though unseen, there's a mirroring across the globe and through time. It's like joining a club, the membership unspoken... and thinking about it makes me smile.
Awww I definitely felt you reaching out and taking my hand through your words. I relate so much to this!!! I'm rereading Rebecca by Daphne duMaurier right now, and it's connecting me to my past self, but I'm also connecting to parts of the book I didn't before.